


My photographs have always swirled around my own story from varying distances. From the ubiquitous early self-portraits, to a fictionalized series of photographs, to my most recent pictures where the figure has been completely removed, I have always been interested in the weaving together of personal experience and fictional possibilities. It has always been a way of reckoning with my own history, while imagining others. I am equally inspired by contemporary photography as I am by fiction writing.
The pictures I am submitting are from a recent series taken in homes I am familiar with and house I have never been before. I am interested in the objects in the places, my own connections to them, both real and desired. I have always been fascinated and horrified by the fact that I often feel as though I can’t remember my own life. I know the story but feel disconnected from the experience. The objects in the photographs become surrogates for these experiences. By creeping around these empty houses, staring at these objects through the ground glass, recontextualizing them, I find myself.
Born and raised in New York City, Christine Collins is a fine art photographer and educator currently based in Boston. Her work has been exhibited at Jen Bekman Gallery, where she is represented, The Griffin Museum of Photography, The Tang Museum, and was published in Adbusters.
Christine has a BA in literature from Skidmore College and a MFA in photography from Massachusetts College of Art + Design. She has been a guest lecturer at University of New Hampshire, Emerson College and Parsons/The New School of Design. Christine has taught at Massachusetts College of Art, is on the summer faculty of the Maine Photographic Workshops and is a member of the adjunct faculty at the Art Institute of Boston, where she teaches photography and art history.